Born in Athens in 1976
Since 2018 he is Assistant Professor and since 2024 Associate Professor at the Athens School of Fine Arts
He is the writer of the book O ethnokentrikós lógos stī neoellīnikī́ téchnī: To éthnos ōs ergaleío análysīs tīs téchnīs stī metapolemikī́ Elláda [The Ethnocentric Discourse in Modern Greek Art (in greek)], Asini editions, 2022
Studies:
2010–2021: PhD, Department of Political Sciences, Faculty of Economicand Political Sciences, Aristotle University of Thessaloniki, Greece.
2006–2008: MA in Visual Arts, Athens School of Fine Arts, Greece.
1999–2000: Painting, Kunsthochschule Berlin Weissensee, Germany (Erasmus/ Socrates student exchange program).
1996–2002: Painting (Y. Psychopedis studio) and Printmaking (G. Miliosstudio), Athens School of Fine Arts, Greece.
Solo shows:
2023: Flashbang, Zoumboulakis Galleries, Athens, Greece.
2016: y.st.rd, Zoumboulakis Galleries, Athens, Greece.
2014: PANK!, Action Field Kodra 2014 (curated by Anthi Argyriou, Panagis Koutsokostas & Dimitris Michalaros), Kalamaria, Thessaloniki, Greece
2010: The Room, Zoumboulakis Galleries, Athens, Greece
2006: Bingo, Zoumboulakis Galleries, Athens, Greece
Other exhibitions – solo presentations:
2022: On the ground, Porfyriada School, East End Samos Art Festival, Karlovasi, Samos, Greece
2014: Exoriare aliquis nostris ex ossibus ultor (Proposal for a mural), Action Field Kodra 2014 (curated by Anthi Argyriou, Panagis Koutsokostas & Dimitris Michalaros), Kalamaria, Thessaloniki, Greece | Imprints, Collages & Decollages, Zoumboulakis Galleries, Athens, Greece
2008: Disintegrated land, Jam Jar Gallery, Jumeirah, Dubai, UAE (with Nikos Papadimitriou)
Participation in Group shows (selection):
2026: Masking, Zoumboulakis Galleries, Athens, Greece (curated by Katarina Nikolaou) | Screenings in the City, Department of Culture, Creative Media and Industries, University of Thessaly, Volos, Greece (curated by Dana Papachristou and Maria Paschalidou) | Art and Politics 2 / Homo Idiot, Pikap kato – iso, Thessaloniki, Greece and P.Ar.Co – By the River, Larisa, Greece(curated by Maria Kenanidou)
2025: The Sounds of Silence, gallery a.antonopoulou.art, Athens, Greece (curated by Alexandra Koroxenidis) |Tatlin’s Dream. Utopias. The Eternal Return, Athens Conservatoire (curated by Dimitris Trikas) | MemoRail, Railway Station of Milies, Pelion, Greece [coord. Association for the History and Memory of National Resistance (SIMEA) and the artistic group Artspirators] | Demolitions, Synoikismos, Chalandri, Greece (curated by Panagiotis Daramaras, Nikos Kazeros, Ira Papadopoulou, Dimitris Halatsis)
2024: Rebetiko, Research Center – Tsitsanis Museum, Trikala, Greece (curated by Christoforos Marinos) | The end of landscape, Zoumboulakis Galleries, Athens, Greece (curated by Christoforos Marinos) | Do electric sheep dream? The human condition in the artificial intelligence era, Grypario Mansion, Athens, Greece (curated by Dimitris Trikas) |“1562”, Houvardas’ Tannery, Karlovasi, East End – Samos Art Festival, Samos, Greece |Guts in knots, OMEGA Β, Überlingen, Germany (coordinated by Ammophila) | “World of Otherworldly Conflicts”, Synoikismos, Chalandri, Greece (curated by Panagiotis Daramaras, Thodoris Korelis, Ira Papadopoulou, Dimitris Halatsis) | “Wie nennst du dich? – How do you call your self?”,Back to Athens 2024: Crossroads – knowledge and wordly pleasures – a review, Isaiah Mansion, Athens (curated by Niki Papaspyrou & Marios Fournaris) | Metapolitefsi, Athens Epidaurus Festival, Peiraios 260 (curated by Xenia Kalpaktsoglou, Christoforos Marinos, Christos Chryssopoulos) | Nikos Alexiou – The Collection, Benaki Museum – Pireos Str., Athens, Greece (curated by Polina Kosmadaki & Yorgos Tzirtzilakis) | The other side of history, Islahane, Thessaloniki, Greece (curated by Efi Michalarou)
2023: Vanitas: Stories of the hereafter, MOMus – Museum of Contemporary Art – Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, Thessaloniki, Greece (curated by Yannis Bolis) | Parallel Lives, Kalamata Dance Megaron, Kalamata, Greece (curated by Artemis Potamianou) |Travelers, Hotel Erato, East End Samos Art Festival, Karlovasi, Samos, Greece | 29th Ploes: “Anthropon Astea”, Petros and Marika Kydoniefs Foundation, Andros, Greece (curated by Athena Schina) | ROI, Synoikismos, Chalandri, Greece (curated by Panagiotis Daramaras, Ira Papadopoulou, Dimitris Halatsis) | Back to Athens 10 International Art Meeting 2023: Geometry of Rational, individual installation in Isaiah Mansion, Athens (org. by Georg Georgakopoulos, Fotini Kapiris, Christian Rupp) | The construction of concepts and things, To Pikap, Thessaloniki, Greece (curated by Giorgos Divaris)
2022: This Current Between Us, Historic Steam Electric Power Station of PPC in Neo Faliro, Greece (curated by Panos Giannikopoulos and Georgia Liapi, organized by Eleni Kalara – Blow Up) | Incarcerations, Dromokaiteio Psychiatric Hospital of Athens, Athens, Greece (curated by Dimitris Trikas) | Writing and Reading II, “Tatiana Dimou” Cultural Center, Patras, Greece |Interpretations, The Asia Minor Culture Museum of Egaleo |The Revival of the Stones, Fortified Complex of Troupakides – Mourtzinoi in Old Kardamyli, Messenia, Greece (curated by Stella Christofi) catalog | Burn in, Synoikismos, Chalandri, Greece (curated by Panagiotis Daramaras & Ira Papadopoulou) | Resilience / Compassion, Athens Municipal Art Gallery, Athens, Greece (curated by Katerina Koskina, Efi Kyprianidou, Myrto Voreakou) | Rebetiko, Athens Municipal Art Gallery (curated by Christoforos Marinos) / Open-ended, Zoumboulakis Galleries (curated by Georgia Liapi)
2021: Greek Revolution: 200 Years After, Michael Cacoyannis Foundation, Athens, Greece (surated by Erato Chatzisavva & Yannis Bolis, coordinated by Ekfrasi- Yianna Grammatopoulou Art Gallery) | Gender Melancholia, The Project Gallery, Athens (curated by Faidra Vasileiadou & Thanos Makris) | Iera Polis / I – eromeni, Salt Museum, Messolonghi, Greece (curated by Naira Stergiou & Eriphyli Veneri aka Comotirio) | Ammophila vol.2 “Under the Burning Sun”, Elafonisos School, Elafonisos Island, Greece (curated by Evi Roumani) catalog
2019: a.O.-b.c. (AfterOlympics-beforecrisis): An audiovisual diary, Former Library of the Athens School of Fine Arts & State of Concept, Athens (curated by Iliana Fokianaki)| Allowed, House of Cyprus, Athens (curated by Lina Tsikouta) | Lands of Creation: A tribute to Metsovo, E. Averoff Art Gallery, Evangelos Averoff-Tossizza Foundation, Metsovo, Greece (curated by Lina Tsikouta) | Forthcoming 2, Space 52, Athens, Greece (curated by Dionisis Christofilogiannis) | The Collection as an Automation, with the students of the 8th studio of painting of ASFA Olga Vlassi, Thanos Kardoulas & Katerina Messini and in collaboration with the photographer Giannis Asvestas, ACG Art Gallery, Deree-The American College of Greece, Athens, Greece (curated by Elpida Karaba)
2018: PhotoBiennale 2018: Capitalist Realism,Thessaloniki Museum of Photography, Thessaloniki, Greece (curated by Penelope Petsini) | The Fortress, Fortress complex of Troupakis-Mourtzinos, Kardamili, Greece (curated by Theodoros Zafeiropoulos) | Democracy, Eptapirgio-Gienti Kule, Thessaloniki, Greece, org. by the State Museum of Contemporary Art (curated by Yannis Bolis & Aikaterini Kousoula) | Acropolis at the Bottom,“Nikos Kessanlis”Gallery, Athens School of Fine Arts, Athens, Greece (curated by Katerina Nikou) | The Memory of Revolution: Contemporary Greek Artists, coordinated by State Museum of Contemporary Art, Thessaloniki and the Athens School of Fine Arts, “Nikos Kessanlis”Gallery, Athens School of Fine Arts, Athens, Greece and Municipal Gallery of Larissa-G.I. Katsigras Museum, Larissa, Greece (curated by Yannis Bolis) | Cultures, Agricultural University of Athens, Greece | Once Upon a Time, Zoumboulakis Galleries, Athens, Greece | I look at you, 11th Annual International Festival of Art & Mental Health, trii art hub, Athens, Greece (curated by Nikos Kanarelis, coordinated by K.S.D.E.O “EDRA”)
2017: Transcending Time, Athens, Greece (coordinated & curated by Connectiva) | Retroactive, Action Field Kodra, Kalamaria, Thessaloniki, Greece (art. director Kleomenis Kostopoulos) | Pause, Zoumboulakis Galleries, Athens, Greece | The Memory of Revolution: Contemporary Greek Artists 100 Years after the October Revolution, State Museum of Contemporary Art, Moni Lazariston, Thessaloniki, Greece (curated by Yannis Bolis) | Face to Phase: Performative Exhibition, “Nikos Kessanlis” Gallery, Athens School of Fine Arts, Athens, Greece (concept & curation Tzeni Argyriou & Vassilis Gerodimos) | Black Beauty, STOArt Korai-Exhibition Space of Ethniki Insurance (curated by Yannis Psychopedis) | See if you can fit it on the paper, U.F.A.P Gallery, Athens, Greece (curated by Matina Charalambi)
2016: Paradise, Pirée, Piraeus, Greece (curated by Giorgos Vavilousakis)
2015: It’ all Greek to me, Hallway Galleries, Toronto, Ontario Canada (curated by Artemis Potamianou and Julie René de Cotret) | The Symptom 6: Rims and Frontiers, The Symptom Projects, Delphi Archaeological Museum, Delphi, Greece (curated by Evangelia Ledaki) | Magic Carpet Ride: San Francisco Rim sculptors Meet Athenian sculptors, Ekfrasi-Yianna Grammatopoulou Gallery, Athens, Greece [curated by Kati Casida (SanFransisco), Michalis Arfaras & Kornelios Grammenos (Athens)] | Curious Artefacts, ArtWall, Athens, Greece (curated byBecky Campbell) | Luminous Flux: Reflected overlays on locative norms, Kornilaki Building, Ermoupolis, Syros, Greece (coordinated by Campus Novel) | The Babel Fragments: Revisited, metamatic:taf, Athens, Greece (curated by Alexis Fidetzis) | Aporimata, Karolos Koun Art Theatre (Theatro Technis), Athens, Greece (curated by Evangelia Ledaki)
2014: The Minimum Structure: Scenes of a hut, Romantso, Athens, Greece (curated by Apostolis Artinos) | RefugeProjectII-Testimonials, Subterranean WWII Bunker in Adamantas, Milos, Greece (curated by Nikos Podias & Maria-Andromachi Chatzinikolaou) | Fever of the Antique, Association of Greek Archaeologists, Athens, Greece (curated by Evangelia Ledaki) | PRE-TEXT, Ileana Tounta Contemporary Art Center, Athens, Greece (curated by Dimitris Antonitsis, Katerina Nikou & Ileana Tounta) | Evolution2/ Skins, ArtWall, Athens, Greece (curated by Fotini Kapiris) | In his Underground Island, Zoumboulakis Galleries, Athens, Greece | Block-Spots & Metrologos, Owl Art Space Athens, Greece
2013: Narratives of the Material, Contemporary Art Meeting Point, Athens, Greece (curated by Lina Tsikouta) | Shining Through, Zone-D, Monastiraki, Athens, Greece (curated by MarkNoll) | Out of Paper, Tint Gallery, Thessaloniki, Greece| Springs and Sources, Apoikia, Andros, Greece (coordinated by Leda Kazantzaki & Campus Novel) | State of Mind, Lo & Behold, Supermarket Independent Art Fair, Stockholm, Sweden and Art-Athina 2013, Athens, Greece (curated by Nikos Papadimitriou) | Refuge project, Subterranean WWII Bunker in Adamantas, Milos, Greece | From Athens with Spontaneous Love_ A Spontaneous Project, Studio Visits, Neukölln, Berlin, Germany (curated by Vasileia Stylianidou) | Casa Amalia, Former Hospital of Amfissa, Greece and Salon de Vortex, Cheapart, Athens, Greece (curated by Apostolis Artinos) | Journey to the End of Night, Zoumboulakis Galleries, Athens, Greece
2012: Love Shelters and Various Love Stories, Zoumboulakis Galleries, Athens, Greece | Sanatorio project, Athens University Museum, Greece | Big City, Zoumboulakis Galleries, Athens, Greece | ArtA Topographies, Municipal Gallery of Arta, Greece | Holidays in Greece_ A performative installation, Studio Visits, Neukölln, Berlin, Germany (curated by Vasileia Stylianidou) | Rooms to art, Panepistimiou Str. 64, Athens, Greece (curated by Georgia Voudouri)
2011: Epekeina: The Intermediate Space, Cultural Centre, Municipality of Athens, Greece (curated by Theofilos Tramboulis) | METart Moves, 23 Graduates of Master Course of Visual Arts, The Factory, Athens School of Fine Arts, Greece | Everything that Melts into Air is Solid, Elika Gallery, Athens, Greece (curated by Galini Notti) | Sanatorio project, G. Karamanis ruined sanatorium, Chania, Pelion, Greece | The Symptom of the Place, Amfissa, Greece (organized and curated by The Symptom Projects)
2010: Cabinets of Miracles, Zone-D & Zoumboulakis Galleries, Ag. Eirinis Sq., Athens Greece (curated by Polyna Kosmadaki & Christophoros Marinos) | Conversation piece, Tint Gallery, Thessaloniki, Greece | Oasis en Aoasi, Skironio Museum Polychronopoulos, Megara, Greece (curated by Panos Famelis & Dimitris Michalaros) | The Sound of Color, The Athens Concert Hall (facade), Greece (curated by Yannis Psychopedis)
2009: Head Start, Eleftherias Park-Art Centre, Athens, Greece (curated by Anna Chatzinasiou & Alexandra Ikonomou) | TOWER-TOWER: Nikos Alexiou-The Collection, Bazeos Tower, Naxos, Greece (curated by Nikos Alexiou) | Carteblanche VII-SALIGIA, Booze Cooperativa, Athens Greece
2008: Games without frontiers, Zoumboulakis Galleries, Athens, Greece (curated by Thanos Stathopoulos)
2007: ProTaseis / Meatspace, Action Field Kodra, Kalamaria, Thessaloniki, Greece (curated by Christophoros Marinos) | Trans-mission, Kardamyli, Greece (curated by Marina Lagou) | Common Place III-Urban Legends, Epi Kolono Theatre, Athens, Greece (curated by Marina Lagou) | 12 Young Visual Artists, Athens Municipal Cultural Centre “Melina Merkouri”, Greece (curated by Leda Kazantzaki) | Metropolis, Athens Municipal Gallery, Greece (curated by Yannis Psychopedis) | The Golden Age, a.antonopoulou.art, Athens, Greece and Art Space Hermoupolis, Syros, Greece | Dreams Come True, Zoumboulakis Galleries, Athens, Greece (curated by Iris Kritikou) | Untitled Installation in Elefsina, Greece, during the EASA007 (in collaboration with the Urban non Profit Company “Kormoranos”)
2006: Crossing the Borders: Visual Arts in Greece, State Museum of Contemporary Art, Thessaloniki, Greece (curated by Thanasis Moutsopoulos) | Fata Morgana: Visual Approaches to the Poetry of Nikos Kavvadias, Benaki Museum-Pireos Str. Annex, Athens, Greece (curated by Yannis Psychopedis) | Metropolis, Barry Raisin Storehouse, Patras-European Capital of Culture 2006, Greece (curated by Yannis Psychopedis) | From To: Athens, Paris, Cairo, Athens Municipal Cultural Centre “Melina Merkouri”, Greece | The Space is Into the World, Alma Theatre, Athens, Greece
2003: Chromatic Printing, Zoumboulakis Galleries, Athens, Greece (curated by Yannis Psychopedis)
2002: Renaissance-Recycling, Tériade Museum (during the Third Summer Academy of Theatre-National Theatre of Greece), Mytilene, Greece (curated by Eleni Varopoulou)
2001: Zoological Gardens, Museum of Modern Art (during the Second Summer Academy of Theatre-National Theatre ofGreece), Florina, Greece (curated by Eleni Varopoulou) | 9, Ersi Gallery, Athens, Greece | Landscape of Writing, General Confederation of Greek Workers, Athens, Greece (curated by Yannis Psychopedis) | Body, Motion, Writing, action during the 30th Book Fair, Athens, Greece | A Different Exhibition Hall, I.S.A.P. Metro Station Pireaus, Greece
Curatorial–Collaborative project:
2025: The Hidden Image, Zoumboulakis Galleries, Athens, Greece
2020: Theorimata 2: On history, AICA Hellas (proposed artist: Kostas Tsolis), National Museum of Contemporary Art (EMST), Athens, Greece
2018: Theorimata 1: Deductive and Axiomatic Systems, AICA Hellas (proposed artists: Giorgos Gyparakis, Vengelis Gokas and Nikos Kanarelis), National Museum of Contemporary Art (EMST), Athens, Greece
2016: Identifying Loss,The Symptom Projects, Old Hospital of Amfissa, Greece (in collaboration with Niki Papaspirou) catalog
2015: Yiannis Theodoropoulos, Es-Optron 03: Inert Elements, Museum of Delphi Festivals-Angelos and Eva Sikelianos Museum, Delphi, Greece catalog
2013: Member of the curatorial team of AGORA, the 4th edition of the Athens Biennial
2011: Reference / Representation, Jewish Museum of Thessaloniki, Greece (in collaboration with Vangelis Gokas, Vassilis Vasilakakis & Christos Ventis-producted by Zone-D) catalog | The Symptom of the Place, The Symptom Projects, Amfissa, Greece (in collaboration with Apostolis Artinos & Margarita Kataga)
2011-2018: Co–founder and co–organizer (together with Apostolis Artinos) of the contemporary art platform The Symptom Projects (www.thesymptomprojects.gr), in Amfissa, Greece. The activities of the platform are carried out in two cycles: “The Symptom”, which mainly includes annual contemporary art group showsand “Es–Optron”, which is a series of annual photography exhibitions. The exibitions are accompanied by theoritical symposiums, workshops,literature and experimental music events. So farthe platform has carried out the following exhibitions and presentations:
2018: The Symptom 8- Garden Variations: From outside to inside and vice versa, Former Hospital of Amfissa, Panourgias’ house, the Archaeological Museum of Amfissa, houses, public spaces, gardens and private courtyards in Amfissa, Greece (curated by Fay Zika & Nikos Papadopoulos) catalog | The Folk, Panourgias’ House, Amfissa, Greece (curated by Apostolis Artinos) catalog
2017: Tourism, Former Hospital of Amfissa, Greece (curatedby Elpida Karaba & Glykeria Stathopoulou) catalog | Es–Optron 05–Picture this, Panourgias’ House, Amfissa, Greece (curated by Niki Papaspyrou)
2016: The Symptom 7– Identifying Loss, Former Hospital of Amfissa & Delphi Archaeological Museum, Amfissa & Delphi, Greece (curated by Kostas Christopoulos & Niki Papaspirou) catalog | Lizzie Calligas, Es–Optron 04–Creasing a Breath, Amfissa, Greece (curated by Apostolis Artinos)
2015: The Symptom 6– Rims and Frontiers, FormerHospital of Amfissa & Delphi Archaeological Museum, Amfissa & Delphi, Greece (curated by Evangelia Ledaki) catalog | Yiannis Theodoropoulos, Es–Optron 03– Inert Elements, Museum of Delphi Festivals–Angelos and Eva Sikelianos Museum, Delphi, Greece (curated by Kostas Christopoulos) catalog | Screening of the film, which was shot by Eleni Fetta for the documentation of the art exhibition Failure, Platform Project @ Art–Athina 2015, Athens, Greece
2014: The Symptom 05– Failure, Former Hospital of Amfissa, Greece (curated by Theodoros Zafeiropoulos) catalog | Christos Chryssopoulos, Es–Optron 02–My mother’s Silence, Alexandros Delmouzos’ House, Amfissa, Greece (curated by Apostolis Artinos) | Maria Lianou, Condition: Diving Board, Platform Project @ Art–Athina 2014, Athens, Greece
2013: The Symptom 04- The Transparency of Sex, Former Hospital of Amfissa, Greece (curated by Apostolis Artinos) catalog | Es–Optron 01 – CasaAmalia, Former Hospital of Amfissa, Greece and Salon de Vortex, Cheapart, Athens, Greece (curated by Apostolis Artinos)
2012: The Symptom 03- To the Limits of Togetherness, Former Hospital of Amfissa, Greece (curated by Kostis Stafylakis) catalog
2011: The Symptom 02- The Symptom of the Place, Charmaina, Amfissa, Greece (curated by Apostolis Artinos, Kostas Christopoulos & Margarita Kataga)
Founding member of the artist–run non–profit organization Lo & Behold
2001–: Founding member of the artistic collective ‘Filopappou’ (www.omadafilopappou.info), participating in the following actions, exhibitions, and presentations:
2014: Platform Project @Art Athina, Athens, Greece
2013: Platform Project @Art Athina, Athens, Greece
2012: Off Shore Project, Meropi Island, Kardamyli, Messinia, Greece trailer / blog
2011: At a Turn we met Iolas, Beton7, Athens Greece | Filopappou Group_ Traces, The Art Foundation, Athens, Greece | Desert, Action for the project Microgeographies I, Art–Athina 2011–Parallel Programme, Athens, Greece (curated by Harikleia Hari)
2009: Et in Arkadia Ego,project and interactive installation for the open exhibition LIVE, 2nd Athens Biennial, Floisvos Park–Palaio Faliro, Athens, Greece (curated by Dimitris Papaioannou & Zafos Xagoraris)
2002: Residents of the Ruins,ruined Hotel “Theoxenia”, Portaria, Pelion, Greece
2001: 37–58 Β/23–43 Α, 19 Sept. 2001, Filopappou Hill, Athens, Greece
2008–2009: Member of the artistic collective Άντερ Κονστράξιον (Under Construction), participating in the following actions, exhibitions, and presentations:
2009: Beautiful world, heavenly creation,installation for the exhibition “OPEN 12”,Lido, Venice, Italy | EXIT, Zoumboulakis Galleries, Athens, Greece | To spiti tis…, installation for the exhibition “Design ’09”, The House of Cyprus, Athens, Greece
2008: Our Living Room, My Living Room, Athens, Greece | under construction, installation for the Action Field Kodra, Kalamaria, Thessaloniki, Greece
2006-2025: A collaborator and as of 2013 a book and art editor of ‘Anagnoseis’, a review supplement in the Sunday edition of the Greek daily Avgi
List of articles, art- and book reviews and interviews publiced in newspapers and magazines (in Greek):
2025: “O kosmopolítīs Nikos Hatjikyriakos-Ghikas” [“The cosmopolitan Nikos Hadjikyriakos-Ghikas” (in Greek), for the Nikos Hadjikyriakos-Ghikas’ exhibition, A Journey from West to East in Benaki Museum, Athens], “Anagnoseis”, Avgi on Sunday 2.3.2025
2024: “Komízontas tīn Elláda” [“Commending Greece (in Greek), for Henri Cartier-Bresson’s exhibition in Goulandris Foundation], “Anagnoseis”, Avgi on Sunday 29.12.2024 | “Me emménousa ypérvasī” [“With persistent excess” (in Greek), for Evgenios D. Matthiopoulos’ book “Péra ap’ tīn egkráteia kai tīn apólausī: o érōs pou dīmiourgeí ton kósmo”. Dýo melétes gia ton Giánnī Tsaroúchī (“Beyond temperance and pleasure: the Eros that creates the world”. Two studies on Yannis Tsarouchis), Benaki Museum], “Anagnoseis”, Avgi on Sunday 15.12.2024 | “O Tsaroúchīs stī Chío” [“Yannis Tsarouchis in Chios” (in Greek), for Yannis Tsarouchis’ book Mathī́mata zōgrafikī́s – Chíos 1981 (Painting lessons – Chios, 1981), Agra editions], “Anagnoseis”, Avgi on Sunday 15.9.2024 | “Gia ton epistī́mona kai ton kallitéchnī” [“For the scientist and the artist” (in Greek), for the Nikos Papadopoulos and Giannis Florakis’ book Ī goīteía tīs emmonī́s: Énas diálogos (The fascination of obsession: A conversation), Ropi editions], “Anagnoseis”, Avgi on Sunday 23.6.2024 | “Ī ékthesī tīs Marilénas Aravantinoú” [“Marilenas Aravantinou’s exhibition” (in Greek), for the retrospective exhibition Marilena Aravantinou: Stage designer and painter in National Library of Greece], “Anagnoseis”, Avgi on Sunday 26.5.2024 |“Astygrafías katálogos” [“Urbanography’s catalog” (in Greek), for the Urbanography’s exhibition catalog in National Gallery of Greece – Alexandros Soutsos Museum (curated by Sirago Tsiara)], “Anagnoseis”, Avgi on Sunday 19.5.2024 | “Apó ton Duchamp kai ýstera” [“From Duchamp and beyond” (in Greek), for Kyrillos Sarris’ book, Marcel Duchamp (28.7.1887 – 2.10.1968), Agra editions & Eleftheria Tseliou Gallery], “Anagnoseis”, Avgi on Sunday 31.3.2024 | “Gia to érgo tou Márkou Kampánī” [“On Markos Kampanis’ artwork” (in Greek), for Markos Kampanis’ exhibition, Works 1990-2022, in National Library of Greece, Stavros Niarchos Foundation], “Anagnoseis”, Avgi on Sunday 11.2.2024 | “’Anastochastikī́’ kai ‘apoapoikiopoiīménī’ archaiología” [“’Reflective’ and ‘decolonized’ archaeology” (in Greek), for Greek translation of Yannis Hamilakis’ and Raphael Greenberg’s book, Archaeology, Nation, and Race: Confronting the Past, Decolonizing the Future in Greece and Israel, Ekdoseis tou Eikostou Protou], “Anagnoseis”, Avgi on Sunday 7.1.2024
2023: “Apoklínontes (meta)monternismoí” [“Divergent (post)modernisms” (in Greek), for Elena Hamalidi’s book Istoríes sto metaíchmio: monternismós kai pragmatikótīta stī metapolemikī́ ellīnikī́ téchnī (Histories on the verge: modernism and reality in postwar Greek art), Melissa Publishing House], “Anagnoseis”, Avgi on Sunday 10.9.2023 | “Meteōrismós ī́ diastaúrōsī” [“Pending or crossing” (in Greek)], “Nées Epochés”, To Vima on Sunday 19.2.2023 |“Anaparastáseis tou 19ou aiṓna kai didaktikī́ tīs istorías” [“Representations of 19th century and teaching of history” (in Greek), for Aggelos A. Palikidis’ bookTéchnī kai istorikī́ syneídīsī stīn Elláda tou 19ou aiṓna: Eikóna, istoría, ekpaídeusī (Art, and historical consciousness in Greece of 19th century: Image, history, education), Gutenberg publications], “Anagnoseis”, Avgi on Sunday 5.2.2023 | “O Parthénīs stīn Ethnikī́ Pinakothī́kī” [“Parthenis in National Gallery” (in Greek), for the Constantinos Parthenis’ retrospective exhibition], “Anagnoseis”, Avgi on Sunday 22.1.2023
2022: “Kanónes kai paradeígmata” [“Rules and examples” (in Greek), for the Syrago Tsiara’s bookĪ epiméleia tou vlémmatos: Sýgchronī téchnī kai epimelītikī́ praktikī́ (The curation of the gaze: Contemporary art and curatorial practices), Nissos Publications], “Anagnoseis”, Avgi on Sunday 9.10.2022| “Gia tīn istoría tou paróntos” [“For the history of the present” (in Greek), for the Greek translation of Dimitris Tziovas’ book, From Junta to Crisis: Modernization, Transition and Diversity, Gutenberg Publications], “Anagnoseis”, Avgi on Sunday 12.6.2022 | “Īmerológio: O teleutaíos chrónos tīs diktatorías” [“Diary: The last year of dictatorship” (in Greek), for the Kyriakos Rokos’ comic Apotypṓmata1967-1974 (Imprints 1967-1974), Stereoma Publications], “Anagnoseis”, Avgi on Sunday 12.6.2022 | “Énas mikrós apologismós” [“A small account” (in Greek), for the 1000 issues of “Anagnoseis”], “Anagnoseis”, Avgi on Sunday 9.1.2022
2021: “Politismós kai metemfyliakó krátos”, {“Culture in the post-civil-war state in Greece” (in Greek), for the Areti Adamopoulou’s book Téchnī kai psychropolemikī́ diplōmatía: Diethneís eikastikés ekthéseis stīn Athī́na (1950-1967)[Art and Cold War Diplomacy. International Art Exhibitions in Athens (1950-1967)], University Studio Press}, “Anagnoseis”, Avgi on Sunday 26.9.2021 | “Gia tīn ‘énnoia’ tīs ‘geniás’” [“For the ‘concept’ of ‘generation’” (in Greek), for the Evgenios D. Matthiopoulos’ book Ī énnoia tīs “geniás” stīn periodológīsī tīs istorías, tīs istorías tīs logotechnías kai tīs istorías tīs téchnīs (The Concept of “Generation” in the Periodization of History, of History of Literature and of History of Art), Crete University Press], “Anagnoseis”, Avgi on Sunday 9.5.2021 | “Kornī́lios Gramménos 1959-2021” (in Greek), “Anagnoseis”, Avgi on Sunday 11.4.2021 | “O ‘Desmós’ kai ī sýgchronī téchnī stīn Elláda” [“‘Desmos’ and contemporary art in Greece” (in Greek), introductory article for the tribute to Epi Protonotariouand the Art Gallery “Desmos”], “Anagnoseis”, Avgi on Sunday 31.1.2021
2020: “Énan aiṓna metá: Apó tī Liubov Popova stīn téchnī metá to 1989” [“After a century: From Liubov Popova to the art after the year 1989” (in Greek), for the Liubov Popova’s retrospective exhibition Form, Colour, Space in MOMus-Museum of Modern Art-Costakis Collection, Thessaloniki, Greece (curated by Maria Tsantsanoglou, Andrei Sarabianov & Kristina Krasnyanskaya) and the 7th Biennial of the same city with the title Taking a Stance], “Anagnoseis”, Avgi on Sunday 16.2.2020 | “O Tsaroúchīs ōs tapītourgós…” [“Tsarouchis as a carpenter” (in Greek), for the exhibition Weavings: Painting and tapestry in Greece from 1960 to the present in Benaki Museum, Athens, Greece (cureted by Irini Orati & Constantinos Papachristou)], “Anagnoseis”, Avgi on Sunday, 2.2.2020
2019: “Chrónīs Mpótsoglou: Énas diálogos me to érgo tou” [Chronis Botsoglou: A conversation with his work (in Greek), for the Christos Lazos’ book Tópoi kai nóstos: Ī zōgrafikī́ tou Chrónī Mpótsoglou (Art and Nostos: The Panting of Chronis Botsoglou), ed. Hestia], “Anagnoseis”, Avgi on Sunday 20.10.2019
2018: “Gia tīn afaíresī kai tīn ámorfī téchnī” [For the abstract and the informal art (in Greek), for the Haris Savvopoulos’ book Ī téchnī metá ton Deútero Pagkósmio Pólemo/ 1940-1960 (Art after the Second World War/ 1940-1960), ed. Plethron], “Anagnoseis”, Avgi on Sunday 4.11.2018 | “Ī zōgrafikī́ ōs práxī kai ōs ermīneutikī́ tōn oneírōn” [Painting as practice and as interpretation of dreams (in Greek), for the Dimitris Anastasiou’s solo exhibition (ena art gallery, Athens) and his homonymous graphic novel A=-A], “Anagnoseis”, Avgi on Sunday, 20.5.2018 | “To érgo tou Christou Tzivelou” [Christos Tzivelos’s work (in Greek), for the retrospective exhibition of Christos Tzivelos Modelling Phenomena in Benaki Museum, Athens, Greece (curated by Christopher Marinos & Bia Papadopoulou)], “Anagnoseis”, Avgi on Sunday, 7.1.2018
2017: “Rṓsikī Prōtoporía” [Russian Avant-garde (in Greek), introductory article for the homonymous tribute], “Anagnoseis”, Avgi on Sunday, 10.12.2017 | “documenta 14: Mia anágnōsī/ prosōrinī́ apotímīsī” [documenta 14: A reading/ temporary assessment (in Greek)], tribute editing (with Christopher Marinos), “Anagnoseis”, Avgi on Sunday, 16.7.2017, 23.7.2017 and 3.7.2017 | “Montérna téchnī kai monternismós stīn Elláda” [Modern Art and Modernism in Greece (in Greek), book review on Nikos Daskalothanasis’ book Restitutions, ed. futura] “Anagnoseis”, Avgi on Sunday 9.7.2017 | “Étantdonnés: Ī metávasī apó tī montérna stī sýgchronī téchnī- kai páli písō” [Étantdonnés: The transition of modern to contemporary art-and back again (in Greek),review on the Greek translation of Nathalie Heinich’s books Sociology of Art and The Paradigm of Contemporary Art, ed. Plethron], “Anagnoseis”, Avgi on Sunday 28.5.2017 | “Giánnī, ta eípame?” (text on occasion of Yiannis Valavanidis’ death), “Anagnoseis”, Avgi on Sunday 28.5.2017 | “’LittleBoy’ kai ‘FatMan’” [’Little Boy’and ‘Fat Man’ (in Greek), text for Nikos Papadimitriou’s art exhibition Little Man in Elika Gallery, Athens, Greece],“Anagnoseis”, Avgi on Sunday 29.1.2017
2016: “Metá ton viografismó” [After Biografism (in Greek), review on the 5th edition of the magazine Istoría tīs Téchnīs (History of Art), ed. Futura], “Anagnoseis”, Avgi on Sunday 13.11.2016 | “Dimosthenis Kokkinidis” [(in Greek), an interview with Dimosthenis Kokkinidis], “Anagnoseis”, Avgi on Sunday7.8.2016 | “Gia ton Vlassi Kaniari” [“For Vlassis Kaniaris” (in Greek), a conversation with Christopher Marinos for the exhibition Bound for Tinos III: Vlassis Kaniaris in Cultural Foundation of Tinos], “Anagnoseis”, Avgi on Sunday 17.7.2016 | “Stígmata poreías: EPIKOINŌNIA Ī́ ThORYVOS?” [“Route spots: COMMUNICATION OR NOISE” (in Greek), a conversation with sculptor Thodoros], “Anagnoseis”, Avgi on Sunday3.7.2016 | “Ideología kai aisthītikī́ stous aristeroús kallitéchnes tou Metapolémou: To parádeigma tīs charaktikī́s tou Tassou. Méros 2: Ī Rōmiosýnī” [Ideology and aesthetics of leftist artists after the World War II. Part 2: Romiosini (in Greek)], “Anagnoseis”, Avgi on Sunday 28.2.2016 | “Ideología kai aisthītikī́ sous aristeroús kallitéchnes tou Metapolémou: To parádeigma tīs charaktikī́s tou Tassou. Méros 1: Antistasiakós realismós” [Ideology and aesthetics of leftist artists after the World War II. Part 1: Resistor realism (in Greek)], “Anagnoseis”, Avgi on Sunday 21.2.2016 | “Ī apoïdeologikopoíīsī tou A. Tassou” [The de-ideologisation of A. Tassos (in Greek), text for the retrospective exhibition A. Tassos 1914-1985 in Benaki Museum, Athens, Greece (curated by Irini Orati)], “Anagnoseis”, Avgi on Sunday 24.1.2016
2015: “Delfikés Eortés: Ta stoicheía pou adranoún” [Delphi Festivals: Inert elements (in Greek), text for the homonymous Yiannis Theodoropoulos’ exhibition in Museum of Delphi Festivals-Angelos and Eva Sikelianos Museum, Delphi, Greece], “Anagnoseis”, Avgi on Sunday 18.10.2015 | “Periodikó Istoría tīs Téchnīs” [History of Art Magazine (in Greek), review on the 4th edition of the homonymous magazine, ed. Futura], “Anagnoseis”, Avgi on Sunday 27.9.2015 | “Michalis Katzourakis: Parallagés 1954-2014” (review of Michalis Katzourakis’ retrospective exhibition Variations 1964-2014, Benaki Museum-Pireos Str. Annex, Athens, Greece), “Anagnoseis”, Avgi on Sunday 5.4.2015 | “Paliés apantī́seis se nées anagkaiótītes” [Old answers in new necessities (in Greek)], “Anagnoseis”, Avgi on Sunday 15.3.2015
2014: “Ī adynatótīta tou ellīnikoú monternismoú” [The Impossibility of Greek modernism(in Greek), interview with the visual artist and rector of the School of Fine Arts in Athens Panos Charalambous], “Anagnoseis”, Avgi on Sunday 7.12.2014 | “Gia tīn ‘parakmī́’ tīs prōtoporiakī́s ideologías (IV): Ī epikindynótīta tīs téchnīs” [On the ‘Decline’ of the Avant-garde Ideology IV: The Dangerousness of Art (in Greek)], “Anagnoseis”, Avgi on Sunday 9.11.2014 | “Gia tīn ‘parakmī́’ tīs prōtoporiakī́s ideologías (III): ‘Aristerés’ kai ‘dexiés’ prōtoporíes” [On the ‘Decline’ of the Avant-garde Ideology III: ‘Left’ and ‘Rightwing’ Avant-garde (in Greek)], “Anagnoseis”, Avgi on Sunday 2.11.2014 | “Gia tīn ‘parakmī́’ tīs prōtoporiakī́s ideologías II: Ī prōtoporía ōs ‘parádosī’” [On the ‘Decline’ of the Avant-garde Ideology II: Avant-garde as tradition” (in Greek)], “Anagnoseis”, Avgi on Sunday 26.10.2014 | “Gia tīn ‘parakmī́’ tīs prōtoporiakī́s ideologías I: Parakmī́?” [On the ‘Decline’ of the Avant-garde Ideology I: Decline? (in Greek)], “Anagnoseis”, Avgi on Sunday 19.10.2014 | “Apochrōmatízontas ton kósmo” [Discoloring the World (in Greek), review onthe Greek translation of David Batchelor’s book Chromophobia, ed. Agra], “Anagnoseis”, Avgi on Sunday 27.7.2014 | “Periodiká sýgchronīs téchnīs” [Contemporary Art Magazines (in Greek), review onthe Greek contemporary art magazines Kritikī́+Téchnī (Criticism + Art), issue no. 5, AICA Hellas and Istoría tīs Téchnīs (History of Art), issue no. 1, ed. Futura], Anagnoseis”, Avgi on Sunday 4.5.2014 | “Ī politismikī́ stigmī́ tīs technologikī́s exélixīs” [The Cultural Moment of Technological Evolution (in Greek), review on Konstantinos Vassiliou’ s book PPros tīn technología tīs téchnīs: Apó tī montérna stī sýgchronī téchnī (Towards the Technology of Art: From Modern to Contemporary Art), ed. Plethron], Anagnoseis”, Avgi on Sunday 2.3.2014| “Stin plati tou archeofilaka” [In the Back of the Archaeological Site Security Guard (in Greek), review on the Greek translation of Yannis Hamilakis’ book The Nation and its Ruins: Antiquity, Archaeology and National Imagination in Greece, ed. Ekdoseis tou Eikostou Protou), “Anagnoseis”, Avgi on Sunday 12.1.2014
2013: “Yperváseis kai kathīlṓseis” [Transcendence and Transfixion (in Greek), review onthe exhibition Depicting Transcendence (curated by Nikos Zias) in Basil & Elise Goulandris Foundation-Museum of Contemporary Art-Andros, Greece], “Anagnoseis”, Avgi on Sunday 8.9.2013 | “En katakleídi” [In conclusion (in Greek), closing article for the tribute “Ī sýgchronī téchnī stīn Elláda, méros III” (“Contemporary Art in Greece”)], “Anagnoseis”, Avgi on Sunday 11.8.2013 | “Mia apotýpōsī tīs ‘stigmī́s’” [An Impression of the Present Time (in Greek), second part of the introductory article for the tribute “Ī sýgchronī téchnī stīn Elláda” (“Contemporary Art in Greece”)], “Anagnoseis”, Avgi on Sunday 4.8.2013 | “Mia apotýpōsī tīs ‘stigmī́s’” [An Impression of the Present Time (in Greek), first part of the introductory article for the tribute “Ī sýgchronī téchnī stīn Elláda” (“Contemporary Art in Greece”)], “Anagnoseis”, Avgi on Sunday 28.7.2013 | “Anakataskeuázontas archeía” [Reconstructing Archives (in Greek), review ofthe exhibition What Would I Say, If I Had a Voice? (curated by Elpida Karaba) in Contemporary Greek Art Institute, Athens, Greece], “Anagnoseis”, Avgi on Sunday 12.5.2013 | “Téchnī, oikonomía, exousía” [Art, Economy, Power (in Greek), review on the Greek translation of Jean Clair’ s book The Winter of Culture, ed. Mikri Arktos], “Anagnoseis”, Avgi on Sunday 3.3.2013 | “Emprós” (article on the free, self-managed Theatre Embros in Athens, Greece), “Anagnoseis”, Avgi on Sunday 10.2.2013 | “To mī dīmokratiká anaparastásimo” [The non Democratically Representative (in Greek), article for the tribute “Fákelos dīmokratía” (Democracy Dossier), ed. By Giorgos Katsambekis], Red Notebook online magazine (https://rednotebook.gr) | “Oi ‘idiaiterótītes’ tīs ellīnikī́s téchnīs” {The ‘Peculiarities’ of Greek Art (in Greek), review on Antonis Kotidis’ book Monternismós kai “Parádosī” stīn ellīnikī́ metapolemikī́ kai sýgchronī téchnī: Zōgrafikī́, glyptikī́, architektonikī́ 1940-2010 (Tómos II)[Modernism and Modernism and “Tradition” in Greek Postwar and Contemporary Art: Painting, Sculpture, Architecture 1940-2010 (volume II)], ed. University Studio Press}, “Anagnoseis”, Avgi on Sunday 13.1.2013
2012: “Eisagōgī́ se éna ‘dialektikó’ pedío: To ‘érgo tīs epiméleias’” [Introduction to a ‘dialectical’ field: The Curators Work (in Greek), review on the Greek contemporary art magazine Kritikī́ + Téchnī (Criticism + Art), issue no. 5, AICA Hellas], kaput.11 online magazine | “Mia apotímīsī tīs téchnīs stīn ypīresía tīs dīmokratías” [An Assessment of Art that Supports Democracy (in Greek)], “Anagnoseis”, Avgi on Sunday 26.8.2012 | “To télos tīs vauarikī́s epirroī́s stī neoellīnikī́ téchnī” [The End of Bavarian Influence in Greek Art (in Greek)], “Anagnoseis”, Avgi on Sunday 25.3.2012 | “Ī mikrofysikī́ tou práttein” [The Microphysics of Doing (in Greek), review onthe Greek translation of Michel De Certeau’ s book The Practice of Everyday Life, ed. Smili], “Anagnoseis”, Avgi on Sunday 18.3.2012
2011: “To próthema tīs krísīs” [The Prefix of Greek Debt Crisis (in Greek), review ofthe exhibition Monodrome, the 3rd Athens Biennial], “Anagnoseis”, Avgi on Sunday 27.11.2011 | “Prōtoporía kai autonomía” [“Avant-garde and Autonomy (in Greek), review on Iliana Zarra’s book Epeisódia kallitechnikī́s palindrómīsīs stīn téchnī tou 20oú aiṓna: ermīneutikī́ proséggisī (Episodes of Artistic Retrogression: Interpretative Approach), ed. Epikentro], “Anagnoseis”, Avgi on Sunday 2.10.2011 | “Ī prōtoporía kai ī dialektikī́ tīs apotychías tīs” [Avant-garde and the Dialectic of its Failure (in Greek), review on the Greek translation of Peter Bürger’s book Theory of the Avant-Garde, ed. Nefeli], “Anagnoseis”, Avgi on Sunday 14.8.2011 | “Paliés anaviṓseis se nées plateíes” [Old Revivals in new squares (in Greek), on the Occupy Movement in Greece], “Anagnoseis”, Avgi on Sunday 5.6.2011 | “O kallitéchnīs Joseph kai ī persóna Beuys” [The Artist Joseph and the Persona Beuys (in Greek), review of Rea Thönges- Striggari’s book Joseph Beuys: Ī epanástasī eímaste emeís (Joseph Beuys: We Are the Revolution), ed. Pataki], “Anagnoseis”, Avgi on Sunday 22.5.2011 | “Perí synaínesīs” [On the Consensus (in Greek), comment on the conversation between Pope Benedict XVI and Jürgen Habermas (see Dialectics of Secularization: On Reason and Religion)], Avgi on Sunday 27.2.2011 | “Ī anáktīsī tīs téchnīs” [The Retrieval of Art (in Greek), comment on the Greek translation of Richard Wollheim’s essay “Criticism as Retrieval” in Ī téchnī kai ta antikeímená tīs (Art and its Objects), Athens School of Fine Arts], “Anagnoseis”, Avgi on Sunday 9.1.2011
2010: “O mýthos tou apomythopoiītī́ Theófilou” [The Myth Theophilos (in Greek)], “Anagnoseis”, Avgi on Sunday 26.9.2010 | “Ī téchnī metá to ‘télos’ tīs” [Art after its End (in Greek), review on the books of Stavros Tsigkoglou Sī́mera ī téchnī (Art Today), ed. Kastaniotis and of Charis Savvopoulos Ermīneíes tou pragmatikoú: Ī sýgchronī téchnī stī dekaetía tou 1980 (Interpretations of the Real: Contemporary Art in the Decade of 1980), ed. Plethron], “Anagnoseis”, Avgi on Sunday 5.9.2010 | “Ī vía kai to ieró stī metapolemikī́ téchnī” [Violence and Sacredness in Art after the WWII (in Greek), review on the Greek translation of Laurence Bertrand Dorleac’s book Wild College: Violence, Expense and Sacred Art from 1950-1960, ed. Nefeli], “Anagnoseis”, Avgi on Sunday 25.4.2010 | “O Makrygiánnīs, o Zōgráfos kai ī neoellīnikī́ téchnī” [Makriyannis, Zografos and the Modern Greek Art (in Greek)], “Anagnoseis”, Avgi on Sunday 28.3.2010 | “Emeís kai o Tsaroúchīs” [We and Yannis Tsarouchis (in Greek)], “Anagnoseis”, Avgi on Sunday 21.2.2010 | “Éna periodikó peírama, pánō se sýgchronous theōrītikoús provlīmatismoús” [A Periodical Experiment, on Contemporary Theoretical Questioning (in Greek), article on the first issue of alloglotta magazine], “Anagnoseis”, Avgi on Sunday 17.1.2010
2009: “Ī isonomía tōn eikónōn kai ī zōgrafikī́ tou Helmut Middendorf [The Equality of Images and Helmut Middendorf’s Painting (in Greek), review on Helmut Middendorf’s exhibition Over the Under the Over in Benaki Museum, Pireos Str. Annex, Athens], kaput.06 online magazine | “Ī allagī́ tou paradeígmatos” [The Change of the Example (in Greek), review on the edited by Yannis Stavrakakis & Kostis Stafylakis book To politikó stī sýgchronī téchnī (The Political in Contemporary Art), ed. Ekkremes], “Anagnoseis”, Avgi on Sunday 25.10.2009 | “Mpienále tīs Venetías: Ftiáchnontas kósmous” [Venice Biennale: Making Worlds (in Greek), review on the homonymous biennial], “Anagnoseis”, Avgi on Sunday 13.9.2009 | “Kinīmatográfos kai Filosofía” [Cinema and Philosophy (in Greek), article on the 9th issue of Cogito magazine], “Anagnoseis”, Avgi on Sunday 28.6.2009 | “Enántia sta parádoxa mias anepifýlaktīs eleutherías” [Against the Paradoxes of an Unconditional Freedom (in Greek), review on Andreas Takis’ book Gia tīn eleuthería tīs téchnīs: Dokímio politikī́s kai syntagmatikī́s theōrías (On Freedom of Art: Political and Constitutional Essay), ed. Savvalas], “Anagnoseis”, Avgi on Sunday 14.6.2009 | “To sok ōs anastolī́ tīs krísīs. Sképseis pánō se éna epicheírīma” [The Shock as Suspension of Judgment: Thoughts on an Argument (in Greek), comment on an argument of Nicolas Sevastakis in Autó to pneúma pou paradídei to pneúma (The Spirit that gives up the Spirit), ed. Indiktos], “Anagnoseis”, Avgi on Sunday 29.3.2009 | “Mia schésī ypó synechī́ diamórfōsī” [A Relation under Continuous Configuration (in Greek), comment on the relation between art and the riots in Athens after December 2008], “Anagnoseis”, Avgi on Sunday 8.2.2009
2008: “Níkos Chatzīnikoláou: O Gkréko stī megálī othónī” [Nikos Chatzinikolaou: El Greco on Cinema (in Greek), review of the homonymous book], kaput.03 online magazine | “Omáda Under Construction” (in Greek), “Anagnoseis”, Avgi on Sunday 7.12.2008 | “Perí logokrisías kai páli” [On Censorship Once Again (in Greek), review on the edited by Y. Ziogas, L. Karambinis, Y. Stavrakakis & D. Christopoulos book Ópseis logokrisías stīn Elláda (Aspects of Censorship in Greece), ed. Nefeli & Platformes], “Anagnoseis”, Avgi on Sunday 14.9.2008 | “O logokritī́s Genius” [The Censor Genius (in Greek), review on the Greek translation of J.M. Coetzee’s book Giving Offence: Essays on Censorship, ed. Pataki], “Anagnoseis”, Avgi on Sunday 24.8.2008 | “Apó tīn enaténisī sto stochasmó” [From the Contemplation to Meditation (in Greek)], “Anagnoseis”, Avgi on Sunday 18.5.2008 | “Oi epanekkinī́seis tīs montérnas téchnīs” [The Permanent Restart of Modern Art (in Greek), review on the Greek translation of Clement Greenberg’s book Art and Culture: Critical Essays, ed. Nefeli], “Anagnoseis”, Avgi on Sunday 30.3.2008 | “O Marlaux kai oi epígonoí tou” [André Malraux and his Descendants (in Greek), review on the Greek translation of André Malraux book The Imaginary Museum, ed. Plethron], “Anagnoseis”, Avgi on Sunday 24.2.2008 | “Éna vivlío kai éna eikastikó érgo” [A Book and an Artwork (in Greek), review on Vassilis Alexakis’ book M.X (After Christ) and the Nikos Alexiou’s art installation The End], “Anagnoseis”, Avgi on Sunday 27.1.2008
2007: “En katakleídi” {In Conclusion (in Greek), review on the edited by X. Kalpaktsoglou, Poka- Yio. A. Zenakos & Th. Tramboulis book Proseuchī́ gia (pathītikī́?) antístasī [Pray for (Passive?) Resistance]}, ed. Futura & Athens Biennial}, “Anagnoseis”, Avgi on Sunday 16.12.2007 | “Anámesa stī mnī́mī kai tīn anámnīsī” [Between Memory and Remembrance (in Greek), review on the Greek translation of Jonathan Coe’s book The Rain Before it Falls, ed. Polis], “Anagnoseis”, Avgi on Sunday 18.11.2007 | “Merikés sképseis gia mia omología enochī́s” [Some Thoughts about a Confession of Guilt” (in Greek), comment on Guenter Grass’ confession that he had served in SS during WWII], “Anagnoseis”, Avgi on Sunday 4.11.2007 | “O Chalepás kai ī epochī́ tou” [Yannoulis Chalepas and his Era (in Greek), review on Leda Kazantzaki’s book Giannoúlīs Chalepás. O smileutī́s tīs agōnías (Yannoulis Chalepas. The Sculptor af the Agony), ed. Ilektra], “Anagnoseis”, Avgi on Sunday 21.10.2007 | “Purgatorio” [review of the exhibition Destroy Athens, the first edition of Athens Biennial (in Greek)], “Anagnoseis”, Avgi on Sunday 7.10.2007 | “Ī téchnī ōs eterotopía” [Art as Heterotopia (in Greek), review for Heterotopias, the first Thessaloniki Biennale], “Anagnoseis”, Avgi on Sunday 30.9.2007 | “Merikoí títloi gia mía istoría tōn exairéseōn” [A Few Titles for a History of Exceptions (in Greek)], “Anagnoseis”, Avgi on Sunday 1.7.2007 | “Tréla, arrṓstia, kerkídes kai charakṓmata” [Madness, Illness, Tiers and Trenches (in Greek), review on the Greek translation of Ivan Colocic’s book Apó tis kerkídes sta charakṓmata. To podósfairo ōs afī́gīsī tou polémou: Ī giougkoslavikī́ empeiría (From Tiers to Trenches: Football as a Narration of the War: The Yugoslavian Experience), ed. Isnafi and D. Papageorgiou’s Mia “állī” Kyriakī́: “Tréla” kai “arrṓstia” sta ellīniká gī́peda (An Alternative Sunday: “Madness” and “Illness” in Greek Football Fields), ed. Epikentro], “Anagnoseis”, Avgi on Sunday 17.6.2007 | “Éna exóchōs politikó zī́tīma” [An Extremely Political Case (in Greek), article on the withdrawal of Eva Stefani’s artwork from Art- Athina 07, the Athenian art fair], “Anagnoseis”, Avgi on Sunday 10.6.2007 | “Gia tous kallitéchnes tīs kathīmerinī́s zōī́s” [For the Artists of Everyday Life (in Greek), review on Danae Chondrou’s book Eikastikés Dráseis (Artistic Actions), ed. Apopeira], “Anagnoseis”, Avgi on Sunday 13.5.2007 | “Gia tīn ermīneía tōn érgōn téchnīs” [On the Interpretation of Artworks (in Greek), review for the book Ta papoútsia tou Van Gogh: Heidegger, Schapiro, Derrida: 3+1 keímena (Van Gogh’s Shoes: Heidegger, Schapiro, Derrida: 3+1 texts), ed. Agra], “Anagnoseis”, Avgi on Sunday 22.4.2007 | “Enallaktikótīta kai dynamikī́” [Alternativity and Dynamic (in Greek)], “Anagnoseis”, Avgi on Sunday 25.2.2007 | “To aisthītikó kai to politikó” [The Aesthetic and the Political (in Greek), review on the Greek translation of Ferenc Feher’s essay “Lukács in Weimar” and Krzysztof Ziarek’s essay “Radical Art: Reflections after Adorno and Heidegger” in the book entitled Téchnī kai rizospastikótīta: Lukács, Heidegger, Adorno (Art and Radikalism: Lukács, Heidegger, Adorno), ed. Ypsilon], “Anagnoseis”, Avgi on Sunday 28.1.2007
2006: “To egṓ tou kallitéchnī mésa stīn istoría”[Artist’s Ego in a Historical Perspective (in Greek), review on Nikos Daskalothanasis book O kallitéchnīs ōs istorikó ypokeímeno (Artist as a Historical Subject), ed. Agra], “Anagnoseis”, Avgi on Sunday 10.12.2007 | “Éna néo kýma eikastikṓn kallitechnṓn?” [A new Age in Visual Arts (in Greek), review of Christophoros Marinos’ book Pithanótītes: Synenteúxeis me néous Éllīnes kallitéchnes (Eventualities: Interviews with Young Greek Artists), ed. Futura], “Anagnoseis”, Avgi on Sunday 26.11.2006
Other texts:
2026: “Reflections on the ‘end’ of painting, prompted by the work of Leon Michail”, text for the Leon Michail’s solo show Beyond the Landscape in a.antonopoulou.art gallery, Athens, Greece pdf
2019: “O N.K. kai ī epochī́ tou: Sképseis pánō se theōrī́seis tīs kallitechnikī́s prōtoporías stīn Elláda” [“N.K and his era: Thoughts on artistic avant- garde theories in Geece (in Greek), recto/verso magazine, No 2, Autumn 2019
2018: “I Flora Filopappou kai oi genealogíes tīs neōterikótītas” [Flora Filopappou and the genealogies of modernity (in Greek)], text for the catalog of the Nikos Papadopoulos’ solo show Flora Filopappou: A journey from the town of rocks to the garden in the National Bank of Greece Cultural Foundation- Eynard Mansion
2017: “On Earth and Heaven”, text for the homonymous Vaso Gavaise’s solo exhibition in marinos vrachimis art proposals, Nicosia, Cyprus | “Little Man”, text for the homonymous Nikos’ Papadimitriou solo exhibition in Elika Gallery
2011: “Mple vathý, schedón maúro” (Deep blue, almost black), text for the Vasilis Vasilakakis’ solo show in Batagianni Gallery, Athens, Greece | Text for the group show Sanatorio Project in the G. Karamanis’ ruined sanatorium in Chania, Pelion, Greece
2009: “Gia to politikó stī sýgchronī téchnī” (On the Political in Contemporary Art), a conversation with George Giannakopoulos, Yannis Stavrakakis and Kostis Stafylakis for the edited by Y. Stavrakakis & K. Stafylakis book To politikó stī sýgchronī téchnī (The Political in Contemporary Art), kaput.05 online magazine | “TTa ánthī tīs kathīmerinótītas” (The Blossoms of Everyday Life), text for the homonymous Achilleas Razis’ solo show in Agathi Gallery- Art- Athina 09, Athens, Greece
2007: “Merikés sképseis gia mia omología enochī́s” (English translation “Some Thoughts about a Confesion of Guilt”), in Christophoros Marinos (ed.) Meatspace_ Art in a State of Emergency
Texts and essays in books and exhibition catalogs:
– “Stigmiótypa, ópseis kai katópseis tou neoellīnikoú” [“Scenes, Views and Overviews of Modern Greece” (in Greek)], in Panagiotis Daramaras (organization and coordination), +oikismos: Katedafíseis (+oikismos: Demolitions), ed. futura, Athens 2025
– “Mia afī́gīsī politikī́s apomágeusīs: théseis kai stathmoí tīs kritikografías tīs Pégkys Kounenákī” [“A narrative of political withdrawal: positions and milestones of Peggy Kounenaki’s critical writing” (in Greek)], in Irene Gerogianni & Charis Kanellopoulou (ed.), Gynaíkes stīn technokritikī́ & ellīnikī́ metapolemikī́ téchnī [(Women in art criticism & Post-war art in Greece) (in Greek)], AICA Hellas, Athens 2025
– “Periī́gīsī vráchōn kai tópōn: To īmerológio enós mī́na” {“Tour of rocks and places: One month’s diary” (in Greek), in Theodoros Zafeiropoulos (ed.), Edṓ: Tópos – topío ι chṓros – chrónos. Kallitechnikés praktikés & ermīneutikés proseggíseis [Here: Place – landscape – space – time. Artistic practices & interpretative approaches (in Greek)]}, Tziola Publications, Athens 2024
– “’Ti ékanes autá ta 7 chrónia kallitéchnī?’: Mia sýntomī periī́gīsī ston īmerī́sio kai periodikó týpo katá tous prṓtous mī́nes metá tīn apokatástasī tīs dīmokratías” [“‘What did you do in these 7 years, artist?’: A brief overview of press coverage in the first months after the restoration of democracy” (in Greek)], for the catalog of the exhibition All here! 50 years of democracy, curated by Yannis Bolis, Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus, Thessaloniki 2024 (translated in English by Giorgos Christides)
– “Apó tīn koinótīta ston plīthysmó: Pros mia genealogía tou dīmósiou chṓrou” [From community to the population: Towards a genealogy of the public space (in Greek)], in Michalis Paparounis (ed.), +oikismos: 12 texts on public space for the homonymous artistic project in Synoikismos, Chalandri 2019-2023, ed. futura, Athens 2023
– “On the ‘Two Temples’ by Stefanos Rokos”, in Stefanos Rokos, The Two Temples, ed. Stereoma, Athens 2022 (translated in English by Manos Tziritas & Ifigeneia Botouropoulou)
– “Gia tis aparchés tīs neoellīnikī́s téchnīs” {“For the beginnings of Modern Greek Art (in Greek)], in Andreas Maratos (ed.), 1821- 2021: Mnī́mes Technṓn- Thraúsmata Istorías [1821-2021: Memories of Arts- Fragments of History (in Greek)]}, Nicos Poulantzas Institute & ed. Nisos, Athens 2021
– “O Níkos Eggonópoulos kai ī neoellīnikī́ sýnthesī” [Nikos Eggonopoulos and the modern Greek synthesis (in Greek)], in Elisavet Arseniou (ed.), O Níkos Eggonópoulos kai ī Ellīnikī́ Epanástasī tou 1821 [Nikos Eggonopoulos and the Greek Revolution of 1821 (in Greek)], ed. Vivliorama, Athens 2021
– “O Makrygiánnīs, o Zōgráfos kai ī neoellīnikī́ téchnī” [Makriyannis, Zografos and the Modern Greek Art (in Greek)], in Martha Pylia & Petros- Iosif Stanganelis, 1821: Diadromés ethnikoú prosdiorimoú [1821: Routes of National Identification (in Greek)], ed. Diapolitismos, Patras 2021
– “On the ‘decline’ of avant-garde ideology: ‘Left’ and ‘Right’- wing avant- gardes”, for the catalog of the exhibition PhotoBiennale 2018: Capitalist Realism, curated by Penelope Petsini, Thessaloniki Museum of Photography & University of Macedonia Press, Thessaloniki 2018
– “Words after the fact”, for the catalog of the exhibition Opposition: Art in dark times 1967- 1974, curated by Yannis Bolis & Domna Gounari in Contemporary Greek Art Institute (ISET) in Athens 2018 (translated by Tony Moser)
– Untitled text in Petros Batsiaris’ retrospective exhibition catalog Anazī́tīsī kai Anádysī [Search and Emergance (in Greek)], ed. Kaleidoskopio, Athens 2018
– Editor (with Kostas Voulgaris) of the collective book 1917: Ī Oktōvrianī́ Epanástasī kai ī Rṓsikī Prōtoporía (1917: October Revolution and Russian Avant- Garde), ed. Vivliorama, Athens 2018
– “Ideología kai aisthītikī́ stous aristeroús kallitéchnes tou Metapolémou (Mésa apó to parádeigma tīs charaktikī́s tou Tássou)” {Ideology and aesthetics of leftist artists after the World War II (Through the case of Tassos’ engravings) (in Greek)], in Kostas Voulgaris & Giannis Pappas (ed.), O poiītī́s Manólīs Anagnōstákīs kai ī metapolemikī́ aristerī́ dianóīsī [The poet Manolis Anagnostakis and the postwar leftists intellectuals (in Greek)]}, ed. Diapolitismos, Patras 2016
– “Identifying Loss”, introductory curatorial text for the catalog of homonymous exhibition in the Former Hospital of Amfissa, Greece, for The Symptom 7, The Symptom Projects (translated by Irini Bachlitzanaki)
– “Greekness as dystopia”, in Christopher Marinos (ed.), Bound for Tinos III: Vlassis Kaniaris, Cultural Foundation of Tinos, Tinos 2016
– “Inert elements”, introductory curatorial text for the catalog of homonymous Yiannis Theodoropoulos’ exhibition in Museum of Delphi Festivals – Angelos and Eva Sikelianos Museum, Delphi, Greece for Es-optron03, The Symptom Projects (translated in English by Tony Moser)
– “Ethnokentrikés afīgī́seis tou ‘nīfáliou’ ellīnikoú monternismoú: Mia eisagōgī́” [Ethnocentric Narratives of the ‘staid’ Greek Modernism: An Introduction (in Greek)], in Maria Dimasi, Paschalis Valsamidis, Ioannis Bakirtzis, Alexandros Papazoglou, Ahmet Nizam (ed.), Anaparastáseis kai apochōrismoí: Timītikós tómos stī mnī́mī tīs Márthas Pýlia [Representations and Separation: Honorific Volume in the Memory of Martha Pylia (in Greek)], Democritus University of Thrace- School of Classics & Humanities Studies – Department of Language, Literature and Culture of the Black Sea Countries, Komotini 2015
– “Refuge Project II- Testimonials”, text for the catalog of the homonymous group exhibition in the Subterranean WWII Bunker in Adamantas, Milos, Greece 2014 (translated in English by Eleni Angelou)
– “Excavating Memories: A Multi- sensorial and Multi- temporal Archaeology”, a conversation with Yannis Hamilakis, in Christophoros Marinos (ed.), AGORA. 4th Athens Biennale: Anthology, Athens 2013
– “The Refuge”, text for the catalog of the group exhibition The Refuge project in the Subterranean WWII Bunker in Adamantas, Milos, Greece 2013 (translated in English by Fotis Terzakis)
– “To télos tīs vauarikī́s epirroī́s stīn ellīnikī́ téchnī” [The End of Bavarian Influence in Greek Art (in Greek)], in Martha Pylia (ed.), Apó to 1821 sto 2012 [From 1821 to 2012 (in Greek)], ed. Vivliorama, Athens 2012
– “Reference / Representation”, introductory curatorial text for the catalog of homonymous group exhibition in Jewish Museum of Thessaloniki, ed. Futura, Athens 2011 (translated in English by Chara Rovithi)
– Introductive texts for the presentation of artistic group Filopappou, in Omada Filopappou- Katagrafés 2001- 2011 (Filopappou Group- Traces 2001- 2011), ed. Eurasia, Athens 2011 (translatred in English by Angeliki Svoronou)
– “Apó tīn enaténisī sto stochasmó” [From the Contemplation to Meditation (in Greek)], in Kostas Voulgaris (ed.), Theōría, logotechnía, aristerá [Theory, Literature, Left (in Greek)], ed. To Perasma, Athens 2008
Lectures, presentations and participations in conferences, seminars, and public coversations:
2024: Lecture at the “Seminar of Monday: Art and Politics”, Faculty of Social and Economic Sciences, School of Political Sciences, Aristotle University of Thessaloniki, Greece, Monday 2 December 2024 | Participation in the public conversation “‘What did you do in these 7 years, artist?’ Resistance and Rebellion” (as part of the exhibition “All here! 50 years of Democracy, curated by Yannis Bolis), MOMus – Museum Alex Mylona, Athens, Greece, Friday 12 April 2024
2023: Lecture at the Dialogues #7: The recruitment of the work of art. Today, before, after, University of Patras, Department of Architecrure, Patras, Greece, Tuesday 12 December 2023 (coordination Ilias Papailiakis) | “Conducting art classes through distance learning during the pandemic”, lecture at the conference “Meetings”: Artistic education and the position of the artist, Municipal Art Gallery of Larissa – G.I. Katsigras Museum, Larissa, Greece, Sunday 3 December 2023 (coordination Zoe Godosi)
2022: “From the Community to the Population: Paradigms on a Social Approach of Public Space”, lecture on the thematic area “Public Space” at the Postgraduate Study Programme “Fine Arts”, in the School of Fine Arts, Department of Fine Arts & Art Science, University of Ioannina, Tuesday 13 December 2022 | “Artistic education in the pandemic”, lecture at the conference Incarceration and artistic life in Greece: From the visual to the post-visual era, Dromokaiteio Psychiatric Hospital of Athens, Athens, Greece, Sunday 4 December 2022 (scientific coordination Kostis Stafylakis)
2021: “Nikos Engonopoulos and the modern Greek synthesis”, lecture at the conference Nikos Engonopoulos and the Greek Revolution of 1821 [coordinated by the Athens School of Fine Arts and Panteion University of Social and Political Sciences (Department of Communication, Media and Culture)], Athens School of Fine Arts, Saturday 2 October 2021
2019: Presentation and conversation (with the artist Nikos Papadopoulos) for the research program titled “Artistic Reasearch Archive in Greece from the 1990 to the years of crisis”, TwixtLab, Athens, Greece (coordinated by Katerina Konstantinou & Elpida Rikou)
2018: “The Mykonos annex of the Athens School of Fine Arts and the Greek Interwar Art”, Athens School of Fine Arts- Mykonos Annex- Garden, lecture within the framework of the exhibition Mykonos through the gaze of the artists. From the interwar years to 1960 (curated by Erene Savvani) Mykonos, Greece, Saturday 14 July 2018 | “Curating Exhibitions: Views from the Artist’s Perspective”, Art Athina 2018, Athens Conservatoire 23 June 2018 (curator- moderator Katerina Nikou)
2017: “The Art Gallery ‘Savvas Petrakis’ and its era”, lecture for the parallel program of the exhibition A comforting idea with works of the Viannos Art Gallery “Savvas Petrakis” curated by Theofilos Tramboulis, Archaeological Museum of Agios Nikolaos, Crete, Greece, Wednesday 20 December 2017
2015: “Defeat, misery, despair, poverty, shame and resistance into Greek post-war Art: An Introduction”, lecture in the conference Reality Through Fiction, organized by Circuits and Currents, supported by DAAD, cooperated by the Academy of Fine Art Munich (ADBK) and the Athens School of Fine Arts (ASFA), Politechneio- ASFA Building, Prevelaki Hall, Athens, Friday 30 October 2015 | Lecture in session “Objet Trouvé” (coordinated by Evangelia Ledaki) in the conference Archaeological Dialogues, University of Athens, Athens 9 January 2015 | “Reactivation of spaces through the artistic interpretation of archival material and the collective memory”, presentation in seminars, National Technical University- School of Architecture, Athens (Monday 27 April 2015) & Panteion University of Social and Political Sciences- Department of Social Anthropology, Athens (Wednesday 29 April 2015)
2014: “The 4th Athens Biennial” and “Attitudes and Collaborations”, lectures in the Ionian University- Faculty of Music & Audiovisual Arts- Department of Audio and Visual Arts, Corfu, Greece (Thursday 16 & Friday 17 January 2014) & University of Ioannina- School of Fine Arts- Department of Fine Arts and Sciences of Arts, Ioannina, Greece (Monday 12 & Tuesday 13 May 2014)
2013: Introduction and coordination in the open conversation “Producing Value in Visual Arts”, workshop “Value”, AGORA: 4th Athens Biennale, Old Stock Exchange Building, Athens (Saturday 23 November 2013) | “Aspects of Secularization in Contemporary Art”, lecture in Municipal Art Gallery of Chania, Crete (Wednesday 31 July 2013, part of the lecture series “Expanded Points- 10 Lectures for Contemporary Art”, organized by the artist- run, non- profit organization Lo&Behold) | Lecture at the conference Management of Cultural Organizations in Times of Crisis, coordination D. Voudouri, A. Gazi, M. Michailidou, M. Paradeisi & E. Fountoulaki, Panteion University of Social and Political Sciences- Faculty of International Studies, Communication and Culture- Department of Communication, Media and Culture, Athens (Saturday 1 June 2013) | “In Search of the Great Cultural Narrative: The Generation of the Thirties”, lecture as part of the lecture series entitled Ergotaxio Ideon (Factory of Ideas), coordinated by Miltos Theodosiou & Eurasia Editions, Floral Café, Athens, Greece (Tuesday 23 April 2013) | Lecture as part of the lecture and presentation series entitled “The Place and the Ethical, Political, Aesthetical Challenge in the Ideas of Maldiney, Derrida, Nancy, Rancière, Didi- Huberman”, coordinated by Takis Koumbis, Athens School of Fine Arts- Master Course in Fine Arts, Athens (Tuesday 12 March 2013)
2012: Lecture at the international conference “Art and Politics at the Limit: Claiming a Heterodox Modernity”, coordinated by Yannis Stavrakakis, Action Field Kodra, Municipal Thearte of kalamaria, Thessaloniki (Sunday 9 September 2012) | Lecture at the conference “Art and Propaganda”, University of Ioannina- School of Fine Arts- Department of Fine Arts and Sciences of Arts, Ioannina, Greece (Tuesday 29 May 2012) | Lecture as part of the lecture and presentation series entitled “Discourse and image: Interdisciplinary Approaches”, coordinated by Areti Adomopoulou, Christos Dermentzopoulos, Konstantinos Ioannidis, Giorgos Smyris & Esther Solomon, University of Ioannina- School of Fine Arts- Department of Fine Arts and Sciences of Arts, Ioannina, Greece (Tuesday 29 May 2012) | Lecture at the symposium “Contemporary Visual Artists in Museums of the Past”, coordinated by Esther Solomon & 12th Ephorate of Prehistoric and Classical Antiquities, Archaeological Museum of Ioannina, Greece (Wednesday 30 May 2012).
2011: Lecture at the 4th International Literature Festival, coordinated by Christos Chryssopoulos, Dasein, Athens (4-8 May 2011)
2010: Lecture at the conference “The Artist as Worker”, 3rd Festival “Techni en kinisei” (Art on the Move), Athens School of Fine Arts (Sunday 12 December 2010).
Participation in seminars – workshops:
2015: Luminous Flux: Reflected overlays on locative norms, Syros Institute, Ermoupolis, Syros, Greece (coordinated by Campus Novel) | Delphic Perplexity, Athens School of Fine Arts- Annex in Delphi (coordinated by Kostas Ioannidis)
2004: Participation in the 3rd Seminar of Location Design, Centre for Mediterranean Architecture, Chania, Crete, Greece
2002: Participation in the 1st Seminar of Location Design, Centre for Mediterranean Architecture, Chania, Crete, Greece
Residencies:
2016: 3rd Artists in Residence Program by Eagles Palace (Visual Arts Edition), Chalkidiki, Greece
2014: I need a hero, Action Field Kodra 2014, Kalamaria, Thessaloniki, Greece
Since 2021, he has been a member of the editorial board, since 2024 a member of the editorial secretariat, and since 2025 a member of the publishing team of the journal (quarterly publication of scientific thought and education) Synchrona Themata.
He was coordinator of the artistic residence for young artists, graduates of the Athens School of Fine Arts, and the “George Lappas Award”, that was awarded in 2016 in collaboration with the ELMIN BAUXITES S.A.
In 2022 he was member of the Evaluation Committee for the artistic director of MOMus (Metropolitan Organisation of Museums of Visual Arts of Thessaloniki) – Museum of Contemporary Art – Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections
In 2023 he was member of the Evaluation Committee for the selection of artistic proposals for the “Anihta Pania” Art Festival of Municipality of Chania
2024-: Member of the Artistic Council of Municipal Gallery of Ioannina
2025-: Member of the Artistic Committee of Municipal Gallery of Chania
2016-: Member and from 2018 to 2024 Counselor of the Administrative Board of AICA Hellas, the Greek Section of the International Association of Art Critics
2005-: Member of the Chamber of Fine Arts of Greece